Carving Knives



home  |  about me |  news  |  courses  |  diary  |  tools and equipment | techniques  |  gallery  |  links

 I find there is nothing more satisfying than working with a sharp knife to make reality the three dimensional object that is in my head. The size and shape of the blade, type of steel, and - perhaps most importantly - the shape and feel of the handle all help to create an intimate working relationship between person and tool. A well-made knife should last more than a lifetime and should pass between generations of craftspeople. Here are some of the knives I use and why I like them so much.

Click on the image for a bigger view

Karesuando knife This is the Örnen (Eagle) knife made by the Swedish company of Karesuando based in the far north, above the arctic circle. It has a curly birch handle and brass ferrule. The flare at the end of the handle gives it an attractive Saami style and makes it easy to remove from its well fitted sheath. The blade is carbon steel with a flat Scandinavian grind that makes sharpening easy. The blade is four inches long, which makes it perhaps too large for fine detail work, but it is good at wasting wood at the early stages of spooncarving after the axe work
Lauren's knife and whittled troll I bought this little Helle Tollekniv for my daughter and I used it to whittle her this troll from an ash stick. She enjoys carving with it, but needs to be very closely supervised. It makes a nice neck knife, but I find the slight bulge in the blade detracts from the aesthetic appeal of the knife
Wood jewel knife from Finland A recent purchase, this is called "the carving knife" from a company new to me called Wood Jewel, based high above the Arctic Circle in Finland. I sourced this knife from Ragnar's Ragweed Forge. This is a beautiful knife with a curly birch and antler handle. The three inch blade is well proportioned for carving, although when supplied it had a secondary bevel on it. I've honed it on a 240 grit Japanase waterstone to remove the secondary bevel and followed this up with polishing on finer grit stones. The flat bevel Scandinavian grind give much better control for hand carving and whittling. Pages on blade maintenance coming soon!  The sheath is also a work of art in leather, with a superb little picture of an elk with his footprints along the length of the sheath. The lump of wood and shavings are pear fruitwood